Press

Da steht sie, zierlich, fast durchsichtig, und starrt in ihren Kühlschrank, groß wie ein Container, vollgestopft mit Essen, als gälte es, Horden von Menschen durch den Winter zu füttern. „Na freilich, soll ja keiner verhungern“, sagt Éva Fahidi und fasst mit schlanken Fingern hinein in die Kälte. Wo fangen wir an, beim Käse, beim Joghurt, beim Fleisch? Oder gleich in Auschwitz, dem verdammten, alles beherrschenden Auschwitz?

The whole performance is like a big bang, where the obstacles from the plain and the space disappear by living on as supplementers of intrinsically separate things. This is how the poetry Weores gains hand and leg, form and shape...

The use of different projections and interactive video technology such as 3D mapping is no suprise nowadays in theatres, however, many times they are only used as a simple illustration in the works. Reka Szabo is an exception to this rule. In The Miracles of The Night, the interactive video technology, animation and graphics are as much participators of the performance as the dancers - Dóra Furulyás and Dániel Szász - themselves. Playfulness - probably this is the best word to describe The Symptoms multi-arts performance in which the light, music, visual and fine arts and dance truly complement and complete each other.

The Apropos 2.0 programme is played in English.